Archive for December, 2004

A Noble, Unperformable Play

Friday, December 17th, 2004

I like to tell myself that I Am The Devil is a seriously flawed play. I concoct reasons for its failure, creating a mythical I Am The Devil: a noble, unperformable play.

But that’s just not the case. Every time I pick it up I get angry with myself for doubting my only solo full-length work—because it’s good! The comedy is silly, sweet, and enormously playful. The play is also very performable; it contains so many things (The Man, the beachball) that I desired and intended to see onstage.

And I really like my Satan. She isn’t typical: Alice wants the best and worst of humanity. She experiences souls, she doesn’t buy them. Alice may be a letdown for the Al Pacino fans, but she is what I want to see in an avatar of evil.

The only substantial bit of self-criticism that sticks is that the play may not be “big” enough. It isn’t a play much larger than two unhappy couples. But what makes enough enough? Would a perfect production of I Am The Devil be a waste of your time? Sometimes I want to answer that question with “yes” and be done with the play. But that isn’t a good enough answer.

So I do want to waste your time. If you have an hour or so to kill, please read I Am The Devil. And then please tell me: is it a play? Is it enjoyable? Could it live and breathe off the page?

Because I look at these pages and I can’t answer “no”.

Caryl Churchill

Monday, December 13th, 2004

Saturday evening….

Jason B. So Mike: Caryl Churchill. Man or woman?

Mike Oh, that’s mean….

Nancy V. It happened to us!

Apparently Jason and Nancy spent an entire evening in a bar defending the honor of Ms. Churchill’s gender to a sorely confused theatre enthusiast.

Of course, if I hadn’t been where I was Saturday morning, I may have answered with: “Churchill? You mean, ‘We shall fight them on the beaches?’

I don’t have much of a track record with British female playwrights, do I?

The Editing Process

Monday, December 6th, 2004

Here’s a sneak-peek into the editing process of The Chanel Play. What follows is a portion of the typewritten first draft and my edit in red pen. First, the lead-in:

Liz Chanel, what do you think you’re doing?

Chanel’s original response: “I’m doing this.” Chanel’s revised response: “My vagina.”

Splendid!