Putting together the Marley split-staging is weird. There are some moments that work great, and others that are just jacked jacked jacked. And I’m finding out that leaving the lights up in two spots at the same time gives an entirely different feeling then rapid back-and-forth scenes, and I’m not sure it would be good to mix them. Maybe the changes Dean and I have already are it. Further testing will provide the proof. Playwriting is easy? Now it’s like we’re the FDA. Hmmm, maybe we should make somebody the “placebo” group.

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