It Takes A Nation Of Norwegians To Hold Us Back!

Synopsis

Dr. Thomas Stockmann, the original public enemy, is back! With the resort he protested open for business, Stockmann turns to an outsider for help, but she may have malicious plans of her own. Or maybe she just wants a vacation fling. Either way, Stockmann’s been at this for close to 125 years. How much fight does he have left in him?

Read Norwegians

Title It Takes A Nation Of Norwegians To Hold Us Back!
By Mike Mariano
Copyright 2006
Cast 2f/1m
Length 20 min.
Type Comedy

For performance rights: e-mail me!

Mike Says

It took me long enough! Finally, all the sex and violence you expect from Henrik Ibsen combined with all the talky ethical quandaries you expect from yours truly.

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Menage a Sartre—Notes

  • (A lavish hotel room.)
  • Three people stuck at an existential orgy which never ends.
  • It’s looking past the point. OPP is other people!
  • “I say the last P…hmmm …stands for property” So according to the Mr. OPP-man, Won’t Only See Me Man, OPP stands for “Other People’s Property.” But Garcin distills this to the people themselves.
  • Attended to by Southern Californian Valet, stocking them with lubricants and other petroleum products?
    • Joe = Garcin - shirtless cowboy?
    • Chanel = Estelle - wears a cheerleader’s uniform?
    • Liz = Inez - Wears a strawberry shortcake cut-off top and a strap-on?
  • They can see their past sex lives. Boring, but better than this endlessness. But they come to realize that they deserve this fate.
  • They can’t leave each other; Liz will tell Joe’s wife, etc….
  • Instead of Napoleon, a bust of Reverend Moon? Ron Jeremy? Or freeze-framed pornography, the lust-filled eyes of a woman staring back. But she gets to clean herself up and go home. We cannot.
  • Nothing gets me hotter than talky ethical quandaries.
  • You don’t need a weatherman to tell Mariah Wind blows. (I suppose she will be the person on screen.)
  • This needs a turkey baster. Just because. And a garlic press!!!
  • They’ve been watching awful films: Nausea, Peeing and Nothingness, etc.
  • The Valet is ditching this for the aforementioned “six women” orgy, which he mentions will be “like a golf course!”
  • Should he also make the comment about the large shower stall? “You can fit a man, a woman, another woman, and the cameraman in there!”
  • He drops off some vibrating device which Chanel wants to use, but would rather see Liz use it first.
  • CHANEL: It’s just like Albert Camus said, “We all have a face that we hide away forever, and we take them out and show ourselves when everyone has gone.”
    (MORE: 7/14/04) JOE: “The Stranger?”
    CHANEL: (Gently correcting his French:) “L’Étranger”….
  • Why does it always have to be hotel rooms? For once, Chanel wants to make love to people somewhere lived in, like summer home on the lake NO like a library office NO like a bed and breakfast YES. But the owners also sleep in this bed and breakfast, and they will see the people arriving and hear what’s going on. Will it work? OR SKI LODGE!
  • About this opening position, Liz should be able to sit up, propped by her elbows, when talking to Joe. Only after she gets up should we see the strap-on. But how can her upper body be free when taken into context with the opening tangle? !!!! If we want to be really sick, we could have Liz, when she gets up, carefully slide the strap-on out of Chanel’s mouth. Oh my, that’s foul. What are the Equity rules about casting that?
  • We should have at least one moment where they try to avoid doing sexual things to each other, or stop talking to each other, etc. When Joe asks Liz a question, Liz defers to Chanel, who attempts to stick Liz’s head in her crotch.
  • So, what is everyone’s horrible secret? Why won’t they leave this orgy of the self-damned?
    • Joe, as in the Sartre play, has a wife whom he is cheating on. He talks a good talk about his free love lifestyle, but he is secretly terrified of losing her, though he pretends not to care about her. (Show don’t tell!)
    • Chanel is (I guess) some sort of porn star, but um, she’s turned 25. And you don’t want to stay alive. When you’re 25. Who will want to look at her now? How can she satisfy her pornographic desires if she can’t make porn? “She can’t lick his head if she was 25.” (NOTE TO SELF: If you can’t make the All The Young Dudes reference work, just change the age. Geez.) Chanel will also be limited by being blindfolded and/or tied up in the beginning. Joe will also attempt to undercut the ridiculousness of Chanel’s argument. At her age, she has to stop doing teen porn. It’s not like there aren’t other kinds. An additional reason Chanel wants to stay is so the producers don’t see her wrinkles.
    • Liz is the controlling master of ceremonies, of course, but she’s found a power trip that she enjoys that is also sexually pleasing. She knows she can stay in control of this situation forever. Somehow Chanel will have to realize that Liz needs to lose control, and the way to do that is through an orgasm (ain’t that always the way?). But the end of our play reveals that Liz can bluff her way Meg Ryan-style through that one.
  • Liz: Come on, Joe; show and tell!
    Joe: Oh show and tell.
    Liz: It’s just a game I play.
    Joe: When you want to say, “screw you.”
  • And for a spit take, Joe needs a glass of water. He picks up a bottle of lubricant and swigs it. Bleah. “But it’s water-based.”
  • But don’t stop now. Rummaging for food, he finds a banana. But he probably shouldn’t eat it. “Remember Chanel’s Carmen Miranda impression?”
  • At least the lube will help the banana go down easier.
  • Chanel makes an initial attack on herself with a sex toy, but it has no battery power. Cody later shows up with batteries, and after Chanel refreshes her toy, she is able to assault Liz.
  • Chanel pulls out an electric toothbrush and uses it — as a toothbrush. Maybe this can prompt the spit-swapping with Liz?
  • Cody reminds them to change their anal lube every three months, or 3,000 miles.
  • Cody will also beat the audience over the head with the crestfallen revelation that his three friends are depressed with the orgiastic paradise they have created. Moralizing over your own existence can wait. It’s fuck time!
  • Use the word “carnal” some time in the play. But don’t confuse it with Karnov from the Nintendo game.
  • Back on the subject of Mariah Wind, it may be worth it to contact her. Make the video a recreation of Subterranean Homesick Blues, with Wind topless behind Bob Dylan’s “cue cards,” making the song a striptease as the cards drop. That might cost money, but when/if Menage a Sartre is produced, we might have it.
  • It’s interesting that searches for Mariah Wind (purely for research, of course) also pop up “They Call the Wind Mariah,” a song from Paint Your Wagon, a *Lerner and Loewe musical* with Lee Marvin and Clint Eastwood sharing the same woman (or maybe just dependent on the same woman). (”Paint Your Wagon, with BLOOD, I bet….” - Homer Simpson) Ms. Wind may have taken her name from that film. Or it could be a coincidence, like Traci Lords and Tracy Lord in The Philadelphia Story. (As detailed in reviews for her biography, Traci named herself after Jack Lord from Hawaii 5-0.”)
  • Continuing to bury the subtext of this play in bad puns, Chanel will call her vibrator Ruth Buzzi.
  • Trannie Grannies dot com. (Remember kids, there really is an analgrannies.com)
  • Let’s bust out some more broad, wheezy humor: maybe Chanel should complain about Liz’s strap-on, it’s too fleshy, etc. To remedy this, Liz unscrews the strap-on and replaces it with one that’s “cut.” “Mazel tov.” FOLLOWUP: Thanks to the pictures in the Adam and Eve catalog (research!), I see that some strap-ons will work with multiple dildos. They are belt-like, and a dildo is slid through a hole from the inside outward. So conceivably, Liz will be able to stick her hand into the strap-on, pull out one dildo, replace it with another, and recite her line. I feel better about this than having to take the entire strap-on off.
  • Cody should upset Chanel by guessing that she looks twenty, twenty-five. Now this can’t be original, but he can let her cry on his shoulder and try and push her head down to his crotch.
  • Liz will make some sort of comment about not wanting to wax nostalgia about some issue. Chanel, in true vaudeville fashion, will ask, “Who’s Nostalgia?” Is she hairy? Is she stubbly?
  • http://people.brandeis.edu/~teuber/sartrebio.html
    “Morts sans sepulture (usually translated as The Victors), which shocked the sensibilities of many theatergoers because it dealt with torture during the Occupation, indicates how extreme the Sartrean view of freedom could be. The play offers the view that even under torture and threat of death, one is free to choose; that this choice cannot be evaded, nor can it be made other than in utter loneliness; and that one is responsible for all its consequences.”
    Did you say torture? Sounds like we can fit in an S&M reference.
  • Chanel: “If you choose not to decide, you still have made a choice.” Once again getting her philosophy from the classic rock station. (I’m thinking we shouldn’t use this line.)
  • Cody, in reference to some sexual regret: “That’s why dildos come with erasers.”
  • UPDATE: (6/9/04) “That’s a pencil, Cody?” “Is it? Anything shaped like that that says “Number Two” on it I can figure out what it’s used for.”
  • Chanel used the nom de porn “Conway Titty”? Does she even know who Conway Twitty is?
  • If any cucumbers or zucchini are present or mentioned, use the line: “Just close your eyes and think of the Incredible Hulk.”
  • What the hell? Bang the Drum Slowly is a book about BASEBALL?!
  • I still want to use this exchange, but probably not here. (Wrong context and I want to avoid profanity.)
    “Sorry I’m late; people have been up my ass at work all day.”
    “Oh, what do you do?”
    “I’m a porn star.”
  • Can there be a sex shop called “Kenny Floggin’s”? I’m All Right!
  • This may be a bit extreme, but could Joe or Chanel wear feet pajamas — with the rear flap down, completely exposing his or her rear end?
  • 4/19/04: I just “googled” for “Three’s Company” and “No Exit” and found no comparisons of the existential Sartre play to the hellish sitcom, so I may be able to make a comparison of my own. (Though I suppose we can’t forget about the film “Stay Tuned,” in which John Ritter experiences Satan’s version of his television series.)
  • 4/21/04: When the trio decline Cody’s offer to attend the other orgy, Cody says, “I respect the Three’s Company thing you have going on here.”
  • Cody: “Well I found my ben wa balls, but I can’t find my keys.” “And every time I sit down the trunk pops open.”
  • In reference to Chanel’s dead batteries from a few months ago, Liz should pull out some jumper cables and offer to give them a try. “Why do we have jumper cables?” “Ask Joe’s nipples.”
  • “Cody, I’m horny. Do you have any batteries?”
    “Why would you want to masturbate with a battery?
    (She holds up the vibrator.)
    “Oh! Yeah, yeah; I’ve got them.”
  • During the moratorium on sex, Liz occupies herself with a magazine that isn’t sexual at all, but should be: Martha Stewart Living?
  • Cody will use “excitement” as a synonym for “ejaculate”
  • As mentioned in my text message, give Chanel (or Liz or Joe) the line: “I shaved my pubes for this?” (The actual album is “Did I Shave My Legs For This?, but it doesn’t sound right. The stresses are equally on SHAVE LEGS and THIS instead of rising stresses on PUBES and THIS.)
  • Cody tosses a vibrator to Chanel: “Your own personal Jesus.”
    “Thanks!”
    “Reach out and touch faith.”
    “I already have touched her. Where is Faith today?”
    “Ah, she’s working; they’re riding her ass all day.”
    6/22/04: As long as we’re using funny names for sexual apparatuses, throw in “Adam Smith’s Invisible Hand” for Liz.
  • Mention porn fairy tale with Dick Charming???
  • (Let’s not use this. From 6/22/04:)
    CHANEL
    Using a vibrator that doesn’t vibrate is like starring in a lactation film when you can’t lactate. Joe’s right.
    (She discards the vibrator.)
    JOE
    Thank you. Now if you don’t mind, I’m going to eat a traditional breakfast of edible underwear.
    (JOE begins to nibble on a pair of edible panties.)
    CHANEL
    Oh, just go ahead and waste it like that. After I had it dry-cleaned for this occasion.
    JOE
    (Smiling:)
    Making it all the more toxic; thank you.
  • 6/30/04: More slapstick: have Cody bang his head against Liz’s phallus when he gets up. Isn’t there some urbandictionary.com-esque term for being bruised by a penis?
  • 7/14/04: Another toy courtesy of Santa Cody: “The Oral Hershiser”
  • 7/14/04: Can we do a ring toss on Liz’s strap-on?
  • 7/23/04: “Need a hand, Job?” Is there a place for this cautionary tale about Biblical names and comma placement in this play?
  • 7/23/04: “Eddie Money never wrote a song called ‘Three Tickets to Paradise’.”
  • 8/10/04: Another one for Cody: “My nectar nozzle!”

Weblog


Webster High School

Presenting The Bill Show

Production Details

Play The Bill Show
Company Daniel Webster High School
Location Tulsa, OK
Date April 12–14, 2006
Performances 3

Directed by Tim Singleton

Cast

Character Actor
Bill Steven Lovell
Sean Surber
Michael Pattison
Matt Amison
Bonnie Alicia Buskirk
Samantha Hart
Tori Napier
Donna Justine Green

Production Notes

  • According to the Tulsa County News, the time period of this production “appears to be around the late 1950s or early 1960s….” Just like Down With Love!

Links

The Curious Theatre of Mike Mariano

I Write Plays!

Do you like to read plays? Plays about people making love to their furniture? Plays that celebrate the boring works of Plato and Shelley? Plays that are absolutely demented but wonderfully sweet? If this is the theatre you’re looking for, you’ve found it here at Mike Mariano dot com.

If you’re just here to read, look around! Full-length and one-act comedies are on the site—you can read these plays in their entirety!

Also available are glimpses of the past and upcoming productions of these plays, performed by schools and theatre groups all over the world.

I also write a weblog filled with all sorts of theatre-related nonsense.

You can also catch a glimpse of my other work, which includes radio production and miscellaneous text.

And if you are interested in performing any of this work, all it takes is an e-mail!

Enjoy your stay!

Deep Creek High School

Presenting Jack, Wanda, and Ben

The cast of the Deep Creek High School production.

From left: Tanner Belile, Morgan Hatfield, C. Tyler Belile, Amanda Cleland, and Craig Dodds in the Deep Creek production of Jack, Wanda, and Ben.

Production Details

Play Jack, Wanda, and Ben
Company Deep Creek High School
Location Deep Creek Ruritan Club, Chesapeake, VA
Date June 3, 2005
Performances 1

Directed by C. Tyler Belile

Cast

Jack Craig Dodds
Wanda Amanda Cleland
Ben Morgan Hatfield
Steve Tanner Belile

Production Notes

  • This was the first production of the 15-minute version of Jack, Wanda, and Ben. It was presented as a part of Deep Creek’s Night of Student-Directed One Acts.
  • This night of one-acts was a competition, in which Jack, Wanda, and Ben swept! Craig Dodds won Best Actor, Amanda Cleland Best Actress, C. Tyler Belile Best Director, and JWB Best Play. Congratulations!

The Arts Festival at Hull College

Featuring Couchophilia

Production Details

Play Couchophilia
Company Hull College
Location The Riverside Theatre at Hull College. Hull, UK
Date November 23, 2005
Performances 1

Production Notes

  • This production of Couchophilia is student produced for the Arts Festival at Hull College. It is the first of my plays to be performed in the UK.

The Claverings

by Anthony Trollope

Description

Harry Clavering is in love. But is he in love with his fiancee, Florence Burton? Or with his first love, the former Julia Brabazon and the current Lady Ongar (now widowed)? Even Harry isn’t quite sure. The Claverings is a comical nineteenth century view of love, death, and finance and how it relates to the Clavering family.

The text from this version of The Claverings comes from the first three volumes of the American magazine, The Galaxy (1866-1867). This magazine and others can be read in their original form at Cornell University Library’s Making of America online collection.

Read the Novel

I formerly had a chapter-separated copy of The Claverings on this site. However now the most up-to-date version is with Project Gutenberg.

Read The Claverings at Project Gutenberg.

Public Domain Dedication

This work is dedicated to the Public Domain.

Members Only

Synopsis

Jeff loves his penis. And he wants Pete to see it.

Read Members Only

Title Members Only
By Mike Mariano
Copyright 2005
Cast 3m
Length 15 min.
Type Comedy

For performance rights: e-mail me!

Mike Says:

This play began in 2002 as Fraternity, a short play for one of my classes. I revised it slightly during summer 2005, and at Dean’s urging put it on the site. Members Only isn’t about penis size; it’s about what passes for corporate interaction today.

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Links

Rivier Theater Company

Presenting The Marley Show

An illustration of Heidrich the cat.

Heidrich the cat, as illustrated by Kim Martin for The Rivier Theater Company.

Production Details

Play The Marley Show
Company The Rivier Theater Company
Location The Court Street Theater, Nashua, NH
Date April 29–April 30, 2005
Performances 5

Directed by Mark Correira and Nina DeMeo

Produced by Jamie Davidson and Stephanie Crowley-Milano

Cast

Moe Marley Steve Chambers
Slim Pickett Mike Pawlowski
Rachel Jen Alger
Bill Mark Correira
Eva Orkanscharkerfickenkraut Joselyne Simonson
Katherine Jackie Garcin
Mel O’Malley Ryan Donovan
Sarah Hayes Nina DeMeo
Del Lacuso Dave Endris
Bartender Kat Bancroft

Production Notes

  • The program lists the play’s location as “Upstate New York.” Considering the play’s past productions that’s a good a location as any.
  • The best Mr. Bobbins death ever! He was a large teddy bear, somewhat beat up. His head was attached with Velcro, and fluff flew from the seam when he was ripped.
  • Intermission took place after Act I, Scene 5.
  • Some really good Slim/Sarah scenes.
  • Bill blows into the Nintendo cartridge to get it to work, similar to what Del did in the Tokyo production.
  • Del’s line in his last scene was amended to “And I’m out of…blinker fluid.” Excellent!
  • I loved Katherine’s pink straw hat!

Links

Madame Guignol’s Macabre Theatre

Featuring Muggled

A scene from Muggled

Photo from the Hunger Artists’ production by Deidre Schoo.

Production Details

Play Muggled
Company The Hunger Artists
Location Fullerton, CA
Date October 14–31, 2004
Performances 9

Cast

Chris Scott Johnson
Rose Shawnna Wishman
Harry Jeremy Gable

Production Notes

  • Muggled was written for Madame Guignol’s Macabre Theatre. It was performed with other short plays following the theme of Christian hellhouses.
  • This production omitted the Abu Ghraib interlude and focused on the three main actors.

Reviews

  • “Muggled has a housewife (Shawnna Wishman) capturing a young man (Jeremy Gable) she insists is Harry Potter, torturing him because of the ‘friendly face’ the Potter books put on the occult—an idea both ironically funny and genuinely chilling.”—Eric Marchese, Orange County Register
  • “Muggled by Mike Mariano hits closest to home, with a typical suburban couple, Chris (Scott Johnson) and Rose (Shawnna Wishman), trying to protect their daughter Megan [sic] from the evil forces of Harry Potter. Jeremy Gable bears an uncanny resemblance to the bespectacled Harry with his Nimbus 2000.”—Anne-Margret Bellavoine, Fullerton News-Tribune

KIMEP English Language Theatre

Presenting Jack, Wanda, and Ben and Big Game

Production Details

Plays Jack, Wanda, and Ben and Big Game
Company KIMEP English Language Theatre
Location KIMEP Fun Club, Almaty Kazakhstan
Date December 14–16, 2001
Performances 3

Directed by Nathan Fleming

Cast

Tasha, Nurlan, and Asel

Tasha Elena Sakmarova
Nurlan Daniyar Nurmaganbetov
Asel Assol’ Agaidarova
Olga Mariya Boriskina

Big Game

Jill Asel Usenova

Production Notes

  • Jack, Wanda, and Ben and Big Game were performed in English with four other plays.
  • In this adaptation of Jack, Wanda, and Ben the genders were reversed. (”Wanda” became a husband with many wives.) The title was also adapted to Tasha, Nurlan, and Asel.
  • The settings were listed as “An Apartment in Almaty” and “A Disco in Almaty.”

Evening of Shorts 2002

Scene From Couchophilia

From ACT’s Evening of Shorts 2002

Presenting Couchophilia

Production Details

Play Couchophilia
Company All College Theatre
Location Kendall Hall Black Box Theatre, The College of New Jersey, Ewing, NJ
Date November 27–December 1, 2001
Performances 5

Directed by the author.

Cast

Tony Ryan Wagner
Molly Elizabeth Livingston
Repairman 1 Curt Foxworth
Repairman 2 Mike Mariano

Production Notes

  • Couchophilia was one of four plays presented at ACT’s Evening of Shorts 2002. It was the first student-written play performed for ACT in recent memory.
  • Curt and I made uncredited cameos as the repairmen.
  • Elizabeth provided large hoop earrings for Molly to lose in the couch. Big and shiny earrings leave no doubt with Tony or the audience.
  • The play opened with Ultra Naté’s “Twisted”. It moved to Isaac Hayes’s “Do Your Thing” for Molly’s tryst. For the repairmen we played an instrumental of Kurtis Blow’s “Christmas Rapping”. (The group Next sampled it for their song “Too Close”.) Our power ballad finale was Chicago’s “You’re the Inspiration.”
  • The music contained added sound effects. A record scratch cut off “Twisted,” emphasizing the change in light and sound when Tony gets caught. A toilet flush crossfaded with “Do Your Thing”, signaling Tony’s return.

Links

Couch Potato Comedy Festival

Featuring Jack, Wanda, and Ben and Couchophilia

Production Details

Plays Jack, Wanda, and Ben and Couchophilia
Company The Hunger Artists
Location Santa Ana, CA
Date March 8–30, 2002
Performances 12

Directed by Laura Viramontes

Cast

Jack, Wanda, and Ben

Jack Ryan Gray
Wanda Jessica Beane
Ben Mark Palkoner

Couchophilia

Tony Russ Marchand
Molly Angela Lopez

Production Notes

  • While Couchophilia ended the evening, Viramontes use the actor who played Tony for a wordless opening act, in which he first discovers the joys of couch love.
  • There were no repairmen in this version of Couchophilia.

Links

Reviews

  • “Couchophilia starts with a genuinely funny concept and, in a short space of time, does a lot.” … “Mariano has one more brief skit worthy of the early days of Saturday Night Live, in which a woman (Jessica Beane) keeps running out and finding new husbands…”—Eric Marchese, Orange County Register
  • “Couchophilia, again by Mike Mariano, is the perfect closer to the piece, as the center stage white couch is undressed, stripped, and unzipped for some Good Lovin’…”—Paul Burt, Wall Four
  • “Two hours of silliness that’ll beat anything you could do on your own couch. Unless you’re having sex with it, of course.”—Jana J. Monji, OC Weekly

Pace University Student Directing Festival

Featuring Couchophilia

A woman in lingerie, reclining on a loveseat.

From the Student Directing Festival program page for Couchophilia.

Production Details

Play Couchophilia
Company Pace University’s Student Directing Festival
Location Schaeberle Studio, Pace University, New York, NY
Dates December 11 and 14, 2002
Performances 2

Directed by Sarah Michael Antalek

Cast

Tony Josue Diaz
Molly Agnes Fohn
Repairman 1 David Costello
Repairman 2 Ian Fishman

Production Notes

  • The couch for this production was small compared to the previous models, but that just means she was more flexible.
  • This was the only production of Couchophilia that included both added scenes (the repairmen and the blow-up doll). In this production, Tony’s blow-up doll was an inflatable chair with SpongeBob SquarePants on it.
  • Tony was costumed in a shirt and tie, as if he had just gotten home from a long day at the office.
  • The final power ballad? Whitney Houston singing “And I Will Always Love You”.

Links

Highlands High School

Presenting The Bill Show

Production Details

Play The Bill Show
Company Highlands High School
Location North Highlands, CA
Date February 24–26, 2005
Performances 3

Links

Derby Community Theatre

Presenting The Bill Show

Derby Community Theatre’s poster for The Bill Show

Derby Community Theatre’s poster for The Bill Show

Production Details

Play The Bill Show
Company Derby Community Theatre
Location High Park Amphitheatre, Derby, KS
Date July 16–24, 2004
Performances 5

Directed by William Sparks

Cast

Character Actor
Bill Adams Mike Greenleaf
Bonnie Rahl
Elaine Finch DeAnna Winkler
Mr. Matsuda Dakota Miller
Mystery Woman
Chester Adams
Donna Fortensky
Johnnie Lynchburg

Production Notes

  • This production was staged outdoors.
  • Dean and I got to speak to the cast by phone, which was great!

Links

Northern Virginia Community College

Presenting The Bill Show

Production Details

Play The Bill Show
Company Northern Virginia Community College
Location Woodbridge, VA
Date February 27–28, 2004
Performances 2

Directed by Morgan Harman and Nelson Sayson

Cast

Character Actor
Bill Adams Zach Finch
Bonnie Rahl Sharron Walker
Elaine Finch Stacey Murray
Mr. Matsuda Nelson Sayson
Chester Adams Mike Kirby
Donna Fortensky Suzette Zimomra
Johnnie Lynchburg Ghazanfer Ali/Jason Wright
Mystery Woman Cindy O’Ferrel

Production Notes

  • This was the first production of The Bill Show that Dean and I were able to attend.
  • Nelson Sayson wore some impressive body tattoos as Mr. Matsuda, unmistakably mobbing him up.
  • A very good ballroom scene.
  • Mike Kirby was a standout as Chester. He’s way too young for the part, but made up for it mixing in a childlike wonder to Chester’s filthy comments.
  • Ghazanfer Ali’s interpretation of what Johnnie considers “a little Mary” had nothing to do with a mixed drink. His hand gesture will be left to the imagination.
  • Elaine’s “Stressosaurus” was a plush version of “Littlefoot” from The Land Before Time.

Links

Celebration Arts

Presenting The Bill Show

Production Details

Play The Bill Show
Company Celebration Arts
Location Sacramento, CA
Dates July 22–27, 2003
Performances 6

Production Notes

  • Dean and I made slight script changes for this production, turning Mr. Matsuda into “Mr. Masukov”, a Russian ex-gangster.

Links

Holmen High School

Presenting The Bill Show

A photo of Corey Cunningham as Bill in the Holmen High School production.

Corey Cunningham as Bill in the Holmen High School production.

Production Details

Play The Bill Show
Company Holmen High School
Location Holmen, WI
Date May 30–31, 2003
Performances 2

Directed by Erik Martin

Cast

Character Actor
Bill Corey Cunningham
Bonnie Shanda Melcher
Elaine Ashley Solsrud
Matsuda Alex Malaby
Mystery Woman Amanda Peterson
Chester Erik Martin
Donna Andrea Connell
Johnnie Bradley Compton

Brown Cow Company

Act I, Scene 5 of The Marley Show, as produced by Brown Cow Company

Katherine, Rachel, Bill, Mel, and Eva in the Brown Cow Company production of The Marley Show

Production Details

Play The Marley Show
Company Erika Hardie’s Brown Cow Company
Location Péter Pázmány Catholic University, Piliscsaba, Hungary
Date May 18, 2005
Performances 1

Cast

Moe András Pászti
Slim Hunor Szentmihályi
Bill Balázs Rédli
Eva Éva Szilágyi
Rachel Eszter Tóth
Sarah Györgyi Szirmay
Mel János Dobó
Katherine Erzsébet Tóth
Del Tamás Károlyi
Bartender László Zságer
Heidrich (the cat) Boló
Edna Korinna Csóka

Production Notes

  • The Marley Show was performed in English.
  • The tagline: “A reclusive aunt, a temptress neighbour and an unforgiving wife take things to the extreme.”

West Covina Theater Company

West Covina Theater Company proudly presents a screwball comedy full of love and friendship.  Dean Hurley and Mike Mariano’s The Marley Show

The poster for the West Covina Production.

Production Details

Play The Marley Show
Company West Covina Theater Company
Location The West Covina Playhouse, West Covina, CA
Date August 26–September 11, 2004
Performances 14

Production Notes

  • With fourteen performances, this production had the longest run of any staging of The Marley Show to date.

Links

DADANESS

Presenting The Marley Show

A poster for the DADANESS version of The Marley Show

Artwork from the DADANESS production of The Marley Show

Production Details

Play The Marley Show
Company DADANESS
Location Tokyo University of Foreign Studies, Tokyo, Japan
Date November 23–24, 2003
Performances 2

Cast

Moe Marley Nobutaka Taira
Slim Isayo Kodama
Rachel Urara Tamura
Bill Kentaro Tone
Eva Hiroki Matsukawa
Katherine Kaori Ishihara
Mel Shungo Kameyama
Sarah Mika Katayama
Del/Heidrich Kazuhiro Samejima
Bartender Hanae Hanzawa

Production Notes

  • A very slick, well-done production!
  • The Marley Show was performed in English by Japanese actors for a Japanese audience. The play was translated into Japanese and supertitles were shown on both sides of the stage using two electronic displays. Wow!
  • No attempt is made to localize this play; references to the Civil War, driving on the right side of the road, and other Americanisms are unchanged.
  • Slim was played by a woman, making this the only version of The Marley Show to feature Hot Asian Lesbian Sex.
  • Eva was played by a tall man in drag, making this the only version of The Marley Show to feature Hot Asian Transvestite Sex.
  • Heidrich the cat made an onstage appearance! The actor playing Del also plays Heidrich, wearing a black unitard and cat ears. He slaps Moe and flips him off when Moe tries to pet him. He leers at Moe while Eva seduces him. And when Moe throws his jacket into the back seat, it covers Heidrich’s entire face. Heidrich takes the coat off his head, and his cat ears come off with it! He stops, feels his head, and then begins silently spazzing out, looking for his ears. That’s when Eva comforts him. Before she sits down, she puts his ears back on, but they dangle around his neck. After sitting, as a final gesture, she puts his ears back up on his head. This sequence was one of the funniest things Dean and I have ever seen.
  • While alone, Del picks up a Nintendo cartridge and blows into it! That’s old school!
  • Del wears a poofy black wig—which he rips off to reveal himself to Sarah.

Balmoral Jr. Secondary School

Presenting The Marley Show

Production Details

Play The Marley Show
Company Balmoral Jr. Secondary School
Location North Vancouver, BC
Date June 5–7, 2002
Performances 3

Links

  • A calendar listing for this performance in North Shore News. (With dates June 4–6?)

Pine Valley Central School

Coming soon.

Genesee Valley Central High School


Eastern High School

Coming Soon

Delaware Valley Central High School

Information coming soon.

Links

Philosopher Kings

Synopsis

The Shadow Puppeteers in Plato’s Cave consider themselves average working stiffs. But to Guy, they’re Mom and Dad. Guy has been chained to a wall his entire life, and knows nothing of the world beyond the sounds and sights of the cave. Can the Shadows lead Guy to enlightenment? We’ll find out in silhouette.

Read Philosopher Kings

Title Philosopher Kings
By Mike Mariano
Copyright 2005
Cast 1f/2m
Length 20 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

Zenyatta Piñata

Synopsis

The signs are there: something is not right between Emily and her husband Richard. She doesn’t go out, he scolds her at every turn, and she’s displaying bruises. Maybe she’s asking for it, the way she dresses. Her friend Carol thinks it might be time for an intervention, but is it already too late?

Read Zenyatta Piñata

Title Zenyatta Piñata
By Mike Mariano
Copyright 2005
Cast 2f/1m
Length 10 min.
Type Dark Comedy

For performance rights: e-mail me!

Files

Links

Menage a Sartre

Synopsis

In No Exit, Jean-Paul Sartre taught us that Hell is other people. In “O.P.P.”, Naughty By Nature taught us that O.P.P. is other people’s property. Watch in fear as three damned souls learn both these lessons during an orgy that may never end. Menage a Sartre is one part existentialism, three parts sexistentialism, and a heaping helping of sexual slapstick.

Parental Advisory! This play doesn’t contain sexual situations, it is a sexual situation. Tell the kids to go read the milder plays of this website.

Read Menage a Sartre

Title Menage a Sartre
By Mike Mariano
Copyright 2004
Cast 2f/2m
Length 40 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

Wish Fulfillment

Synopsis

David’s mother and her magical genie only want to make America a better place—unfortunately, that means wishing all black people to Africa and ridding the world of homosexuality. Can David convince his mother of the error of her ways? Will the genie coerce her into greater crimes? And where are the pancakes, Africa?

Read Wish Fulfillment

Title Wish Fulfillment
By Mike Mariano
Copyright 2004, 2006
Cast 1f/3m
Length 25 min.
Type Comedy

For performance rights: e-mail me!

Mike Says:

Why do some people hold chilling preconceptions? And what would happen if they could act upon them? Wish Fulfillment is a playful exploration of the dark side of American life.

Through the MFA dramaturgy program at Brooklyn College, Wish Fulfillment was chosen for a reading in December 2005. As a result I made significant changes to the script and dropped a character.

Files

Links

Unleash Your Inner Spader

Synopsis

Jeff has awakened to a new understanding of sexual freedom that he now wants to share with his wife Brenda. But Jeff’s revised definition of sex may be too unusual for Brenda to handle, and Brenda just might be making some definitions on her own. Can this kinky marriage be saved?

Read Unleash Your Inner Spader

Title Unleash Your Inner Spader
By Mike Mariano
Copyright 2004
Cast 1f/2m
Length 15 min.
Type Comedy

For performance rights: e-mail me!

Mike Says:

Unusual marriages? Inanimate object sex? That’s just par for the course with me. This time around I also get to pay tribute to our modern god of love, James Spader. I finished this play in May 2004 but thought it was too similar to Jack, Wanda, and Ben and Couchophilia. But what’s wrong with that? Pass me the honey bear!

Files

Links

Muggled

A scene from Muggled

Photo from the Hunger Artists’ production by Deidre Schoo.

Synopsis

In an evil world, parents Chris and Rose know only they can protect their daughter from Satan’s influences. But when Rose encounters the world’s most popular teenage wizard, does she go too far? Welcome to the American family of the Guantánamo Age.

Read Muggled

Title Muggled
By Mike Mariano
Copyright 2004
Cast 2f/4m (or 1f/2m)
Length 10 min.
Type Dark Comedy

For performance rights: e-mail me!

Mike Says:

Muggled was written for my good friends The Hunger Artists for their 2004 Halloween production of Madame Guignol’s Macabre Theatre. Their goal was to create a Christian “Hellhouse”, so I added Harry Potter to their gallery of abortionists, fornicators, and other damned souls.

I wrote an Abu Ghraib-eseque digression that was not performed, but it is featured in the script. It definitely takes a lot of humor out of the play, but that might be a good thing.

But after the Hellhouse performance, is Muggled past its sell-by date? Who knows?

Play Productions

The Hunger Artists’ Madame Guignol’s Macabre Theatre
Fullerton, CA. October 14–31, 2004

Files

Links

Links

How empty!

Green Cheese

The Moon, with Groucho Marx-style mustache and glasses.

Synopsis

Green Cheese is the history of the 1960s Space Race, as presented by the Marx Brothers. Lyland H. Bloodworth promises to put a man on the moon, not by the end of the decade, but by the end of the year. His candidate for this task: football player Joe Brockway! The ensuing chaos of the moon program unfolds in true Marxist fashion.

Read Green Cheese

Title Green Cheese
By Mike Mariano
Copyright 1998
Cast 2f/5m, with extras
Length 30 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

Over The Fence

Synopsis

Over The Fence is a one-act play about neighbors and the delicate relationships they share. Linda lets her sister Betty stay with her for the summer, although she is annoyed by her lack of ambition. A new neighbor has moved in behind them, and Betty spends most of her time monitoring his actions. The obsession with the mysterious neighbor grows until it engulfs both Linda and Betty.

Read Over The Fence

Title Over The Fence
By Mike Mariano
Copyright 1999
Cast 2f/2m
Length 35 min.
Type Drama

For performance rights: e-mail me!

Files

Links

Jack, Wanda, and Ben

Scene from Jack, Wanda, and Ben

Westminster Players’ Production

Synopsis

Jack, upon returning home, finds that his wife has remarried. The thing is, Jack was only gone for 45 minutes. Can Jack regain the love and trust of his increasingly confused wife? Can Ben maintain his position as top dog in Wanda’s rapidly changing worldview? And can one ice scraper save a marriage?

Read Jack, Wanda, and Ben

Title Jack, Wanda, and Ben
By Mike Mariano
Copyright 1999, 2005
Cast 1f/3m
Length 20 min.
Type Comedy

For performance rights: e-mail me!

Mike Says

Jack, Wanda, and Ben has been an audience favorite on the East Coast, West Coast, in between, and beyond. Originally written in 1999 (as a very short seven-minute play) I expanded on the play in March 2005.

Play Productions

Deep Creek High School
Chesapeake, VA. June 3, 2005
The Hunger Artists’ Couch Potato Comedy Festival
Santa Ana, CA. March 8–30, 2002
KIMEP English Language Theatre
Almaty, Kazakhstan. December 14–16, 2001
StageRight Productions’ Squeaky Clean Comedy
New York, NY. October 27–November 17, 2001

Westminster Players’ Actors Aid America
Princeton, NJ. September 22–23, 2001

Files

Links

The Marley Show One-Act

Banner from The Marley Show

Banner from Delaware Valley Central’s Production

Synopsis

This one-act version of The Marley Show condenses the insanity of Moe Marley’s proposal plans. The play removes coffin raiding and angry ex-wives, but adds Scrabble woes and toilet paper etiquette. Even in a shortened form, it’s going to be a long night for Moe Marley.

Read The Marley Show One-Act

Title The Marley Show One-Act
By Dean Hurley & Mike Mariano
Copyright 2000
Cast 3f/4m
Length 45 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

Two Men About to be Killed by a Comic Book Supervillain

Two Security Guards

Synopsis

Hector and Julius, two security guards at a scientific institution, discuss genius, poetry, and men in their underwear. Their conversation is cut short by an unpleasant interruption—their deaths.

Read Two Men About to be Killed by a Comic Book Supervillain

Title Two Men About to be Killed by a Comic Book Supervillain
By Mike Mariano
Copyright 2001
Cast 2m/1 either
Length 10 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

  • Weblog entries about Two Men about to be Killed by a Comic Book Supervillain

Couchophilia

Scene From Couchophilia

From ACT’s Evening of Shorts 2002

Synopsis

Betrayal, jealousy, anger, and white, hot passion. All the necessary elements of the classic love triangle between man, woman, and couch.

Read Couchophilia

Title Couchophilia
By Mike Mariano
Copyright 2001
Cast 1f/3m
Length 10 min.
Type Comedy

For performance rights: e-mail me!

Play Productions

The Arts Festival at Hull College
Hull, UK. November 23, 2005
Pace University Student Directing Festival
New York, NY. December 11 & 14, 2002
The Hunger Artists’ Couch Potato Comedy Festival
Santa Ana, CA. March 8–30, 2002
All College Theatre’s Evening of Shorts 2002
Ewing, NJ. November 27–December 1, 2001

Files

Links

Big Game

A pink elephant on a bar stool.

Synopsis

Jill is on the hunt; the hunt for love. But with men out of the equation, what’s left for her? The pink stuffed elephant sitting on the next barstool over?

Read Big Game

Title Big Game
By Mike Mariano
Copyright 2001
Cast 1f
Length 10 min.
Type Comedy

For performance rights: e-mail me!

Play Productions

KIMEP English Language Theatre
Almaty, Kazakhstan. December 14–16, 2001

Files

Links

Urban Myth

Prometheus

Synopsis

Amy is the first woman Prometheus has seen for the last few millennia; being tied to a rock doesn’t count for much on the singles scene. Unfortunately, she likes him more for his internal organs than for his defiance in torture. Is a liver lost worth true love?

Read Urban Myth

Title Urban Myth
By Mike Mariano
Copyright 2002
Cast 1f/2m
Length 15 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

RIP, B.B.

Lucille Behind Bars

Synopsis

Mick and Marianne. Sid and Nancy. Sonny and Cher. They say music business relationships aren’t meant to last, but for decades one couple was proving them wrong. But one night it would all end, and end bad. If it can’t work out for B.B. King and Lucille, though, who can it work for?

Read RIP, B.B.

Title RIP, B.B.
By Mike Mariano
Copyright 2002
Cast 1m (voice only)/2 either
Length 10 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

I Am The Devil

Satan on the Couch

Synopsis

Criminal Psychologist Gabe Larson has left his old job and has become a therapist. His first patient: Alice Osbourne, a woman who claims to be Satan himself. On top of probing the Devil’s mind, Gabe must placate his slightly-criminal, possibly-dangerous, fiancée and caution his new boss, who has fallen in love with Ms. Osbourne. Obviously, Gabe has his work cut out for him.

Read I Am The Devil

Title I Am The Devil
By Mike Mariano
Copyright 2000
Cast 2f/3m
Length 110 min.
Type Comedy

For performance rights: e-mail me!

Files

Links

The Bill Show

Japanese Flag Boxer Shorts

Synopsis

Nervous and edgy Bill Adams is attending a stress seminar at a sorely neglected hotel. Meanwhile, Bill’s father is planning a revolution in the undergarment industry, which his boss conspires to crush. Their plans collide in a mad mess involving an irreverent priest, the hotel’s outrageous owner, a Mystery Woman, and the Japanese Mafia!

Read The Bill Show

Title The Bill Show
By Dean Hurley & Mike Mariano
Copyright 1998
Cast 4f/4m
Length 110 min.
Type Comedy

For performance rights: e-mail me!

Play Productions

Daniel Webster High School
Tulsa, OK. April 12–14, 2006
Highlands High School
North Highlands, CA. February 24–26, 2005
Derby Community Theatre
Derby, KS. July 16–24, 2004
Northern Virginia Community College
Woodbridge, VA. February 27–28, 2004
Celebration Arts
Sacramento, CA. July 22–27, 2003
Holmen High School
Holmen, WI. May 30–31, 2003

Links

Juice Box

I…I don’t have many complaints in life, but there are just some things that really…get my goat. You know, little things that make no sense whatsoever and really mess with your day. And little, specifically, is my problem. Take a look at this.

(Pulling out a small juice box, but not showing it to the audience yet.)

I don’t know if you’re familiar with juice boxes; they had an advertising campaign for them a few years back. But I’ll fill you in. They’re these small plastic coated boxes that hold fruit punch and other fake juices. Kids bring them with lunch to school; I don’t know.

The things were never that big, anyway. It was half the size of a can of soda. These things wouldn’t quench a gerbil’s thirst! Well, anyway, some genius came up with the idea of making these juice boxes smaller!

(Holds up the small juice box.)

Smaller!! And these things are half the size of the normal juice boxes. I know when I want something to drink I don’t want more than four or five sips; I mean, really!

And another thing that “gets my goat” is this! Here, read the top of this box, this apple juice box. It says, “Juice Concentrates from USA, Hungary, and Germany.” Three countries! They waste countless hours and dollars collecting apples from three different countries!

And the stupidest thing about this…

(pause)

…is that the juice from one apple, from one country, would be more than enough to fill this stupid box!

Arts and Crafts

I was never the teenager with the stacks of Playboy underneath the mattress, or the kid with the binoculars outside the YWCA. I have yet to master the art of “the ogle”. I just get attracted to women as women, and pictures, to me, I guess, are just pictures.

Which makes it weird that I’m partly responsible for a new genre of pornography.

I’ll have to explain this a little bit, I know. Uh, a few years back, I had a girlfriend. She was big on causes. She wanted to help, women, the poor, Cubans, and any other group that would be offended if I left them out of this list. And she felt strongly that pornography contributed to violence against women. One day, after glimpsing a porn shop “documentary” on a pay cable channel. Either Showtime, Cinemax, or HBO. Which she called, Blowtime, Skinemax, and HB-Ho. Or if she’s feeling really verbose, “Ho Box Office.” Anyway, after watching the program, she knew it was time to take matters into her own hands.

So she jumped in the car, picked me up, and told me that she had a revelation; she knew how to stop porn. So we sped off, and the first place we stopped, was a craft supply store. I didn’t know why.

I waited in the car, and a few minutes later, she came running out of the store with a small brown paper bag. She got in the car, and we drove to the nearest adult bookstore. As we walked around back to the door, she grabbed my hand and put a pile of something in it. I looked down, and saw googley eyes.

I don’t think googley is really a word, but you know what I’m talking about. They are craft eyes for cartoonish projects. For instance, glue a few styrofoam balls in a row, then put two eyes on one end, and you have a caterpillar. Glue two eyes to a green pipe cleaner, and you have a tapeworm.

But what my girlfriend wanted me to do was to glue these googley eyes over the eyes of the nude women in these magazines. With big oscillating eyes, these women would look far from attractive, and she felt that it would make people think twice about picking up a pornographic magazine.

So we went in, and I started discreetly picking up magazines and sticking eyes inside. There weren’t many people there, and those that were were too distracted to notice our actions. After I ran out, I met up with my girlfriend and we left.

We hit a few more porn shops that day, and I was feeling a little weird about the whole thing. I was getting good at it, too, though, matching up the right googley eye size for the photos. At the last store we hit, though, this guy starts staring at me right after I glued two eyes in. He starts walking over to me, and I quickly turn the page, flipping the magazine on its side. Of course, it was the letters section.

Anyway, the guy looks at me and says, “Can you turn it back a page.” I figured I’d been caught, and since this wasn’t my idea anyway, I didn’t want to put up too much of a fight. So I turned to the googley eye page, and he looks at it. He starts nodding his head, and he says, “Actually, that’s kinda hot.”

I just stared at the guy. In the meantime, he takes the magazine up to the counter and actually buys it, googley eyes and all. My head was spinning, and after that my girlfriend and I just drove back home.

I thought to myself, that had to be an anomaly. No one else is going to consider googley eyes to be attractive. That guy was probably just joking around. And eventually, after I repeated this to myself enough, I managed to put the whole thing out of my mind.

Anyway, a few months passed, during which my girlfriend and I broke up. Which isn’t really surprising, because any relationship with a woman who forces you to vandalize smut magazines isn’t exactly comfy over the long term. But we readjusted comfortably, and at this point I was on my couch watching television. I flipped past Blowtime, and they were showing another one of their pornographic documentaries, and the subject of this segment was on the popularity of googley eye pornography. I know at this point in the story you’re not surprised. But I sure was.

The show was quite enamoured with this new fetish. Apparently people wrote letters to the editors of these defaced magazines, saying how much they loved the googley eyes. The editors began putting in the eyes on their own, and subscriptions to the magazines had skyrocketed. People thought it was kinky, and the porn industry was more than willing to accommodate their wishes. And apparently the arts and crafts industry liked it, too.

These eyes made their way into other areas of porn. It branched out into videos, blow-up dolls, even DVDs with alternate googley eye overlays. They even made this apparatus for couples — “Honey, could you put on the goggles?”

After I saw this, I gave my ex-girlfriend a call. I told her, our porn shop sabotage backfired in a big way. I asked her if she saw the show. She said, yeah. I said, can you believe that? She said, yeah, I think it’s great. I stopped for a minute, then asked her why. She said, “Because of this, I got hired as VP of marketing for Salacious Video International.” She’s got a six figure job and recognition as one of the most creative minds in the porn industry.

So she had a change of heart, apparently. But I’d like to think I haven’t changed. I thought her original idea was creepy, and I think the end result is even creepier. I’ve learned one lesson though. I will never again date any woman who has the slightest interest in arts and crafts.

Never Trust A Crying Dame

As many of you know, in addition to being a world class playwright, I am also a graduate of the Communications Department at The College of New Jersey. During my Spring 2001 semester, I had the opportunity to combine the work I did in Radio class with an acting project from years ago, and I am quite pleased with the results.

Our final project for Radio II was a radio theatre production. Working with Craig Trogani, Jeff Lazovick and Kelly Johnson, we needed to come up with something that would emulate the radio shows of past decades, and I immediately thought of my friend Meggan Horowitz’s script, The Crying Dame.

Those of you who follow the site know I have been trying to do something with Meggan’s character Murray Rosen for years now, and this was yet another opportunity. I thought Meggan’s script would make excellent subject material. My group agreed, so I set out to adapt her script for radio.

I changed the script a little bit, hitting the audience over the head with important points, and taking out the mute character of Joe. Because, honestly, what can a mute character do in radio? Yet the rest of Meggan’s work stayed intact, and my classmates complimented me on the very witty script. I more than willingly accepted the praise which should be going to Meggan.

After finishing the script, I was lucky enough to con some of my ACT cronies into acting in our skit. For some of them, it was their first time in front of a studio microphone, and it was fun to see them adapt their talents. They recorded their takes separately, and it took a few weeks of work to put the conversations back together and add the appropriate sound effects.

We finished production on the project on Sunday night, April 29, 2001. The script was 15 pages, but the program lasts for 20 minutes; I was surprised. Below is our cast, and below that are some files. If you’re interested in the MP3 let me know. Enjoy!

Cast

Narrator Craig Trogani
Murray Rosen Mike Mariano
Bob Winkelman Jason Butkowski
Maxine John Elliott
Tom Matt Weeks
Natalie Elizabeth Livingston
Lindy Jackie Wasneski
Bianca Nicole Sauter
Stella Kelly Johnson
Roberta Jen Puma

Files

In The Dark

I created a four-minute fight scene for my Senior Practicum. But this wasn’t just any fight scene; other than the last two shots, the entire sequence was done in pitch-black darkness. The viewer had to rely on audio cues and illuminated objects (the window, the alarm clock, etc.) to follow along. Like Dana, they are in the dark.

I had taken a Hitchcock class the semester before, and I was bugged by the concept of “pure cinema.” Pure cinema is purely visual, and Hitchcock’s attempts at it were all highly-visual, nearly silent sequences. (For example, Scotty’s first day following Madeline in Vertigo.) There is no dialogue, and atmospheric sound is kept to a bare minimum. In the Dark is the opposite; the visuals are sparse, and the narrative is moved along almost entirely by the audio.

In the Dark had its premiere screening Wednesday, May 1, 2002 at the Urban Word Cafe. It got a good reception, but I’m told it was hard to follow. Perhaps in a better director’s hands this might make more sense, but I think cutting out most of the visuals in a visual medium makes for some interesting, challenging work.

Dana Janine Miscia
Josh Matt Weeks
Camera Jim Lopezzo
Director Mike Mariano

In The Dark opening credit Dana’s silhouette Josh’s cell phone

Files

Other Work

Monologues

I have written two monologues for myself, and have used them both at All College Theatre’s Monologue Competition. I don’t want to include them on the main page with my other work because I’m really not a monologue writer; if you want an audition piece or something important, get something that might win a competition. These are included purely for curiosity. Take a look.

Radio

I hold a long-expired license to DJ at WTSR in Trenton, 91.3 on your radio dial. I am also a TV/Radio graduate of TCNJ. My student and alumni work includes the following.

Film

I have one short film to my credit:

  • In the Dark — My Senior Practicum film, shot in pitch-blackness.

Misc

  • The Claverings — An 1866 comic novel by Anthony Trollope about the many loves of Harry Clavering.

The Marley Show

A poster for the DADANESS version of The Marley Show

Artwork from the DADANESS production of The Marley Show

Synopsis

The Marley Show is a full-length comedy about Moe Marley, a man who wants to propose to his girlfriend, but runs into many obstacles. These come in the form of two oddball friends, a German Temptress, a Brooklynese Farmer, and Moe’s dead aunt Edna!

Read The Marley Show

Title The Marley Show
By Dean Hurley & Mike Mariano
Copyright 1997
Cast 5f/5m
Length 110 min.
Type Comedy

For performance rights: e-mail me!

Play Productions

Brown Cow Company
Piliscsaba, Hungary. May 18, 2005
Rivier Theater Company
Nashua, NH. April 29–April 30, 2005
West Covina Theater Company
West Covina, CA. August 26–September 11, 2004
DADANESS
Tokyo, Japan. November 23–24, 2003
Balmoral Jr. Secondary School
North Vancouver, BC. June 5–7, 2002
Pine Valley Central School
South Dayton, NY. March 15–16, 2002
Genesee Valley Central School
Belmont, NY. March 16–18, 2001
Eastern High School
Louisville, KY. Spring 2000
Delaware Valley Central High School
Callicoon, NY. March 24–25, 2000

Files

Links

Productions

Past Productions

See the individual pages for:

Plays

Full-Length Plays

I Am The Devil
2000, 2f/3m, 110 min.
The Prince of Darkness in Psychotherapy, wherein she finds love.
The Bill Show
1998, 4f/4m, 110 min.
High-strung Bill Adams attends an unconventional stress seminar.
The Marley Show
1997, 5f/5m, 110 min.
Moe Marley attempts to propose to his girlfriend at his aunt’s wake. But it’s not that easy.

Short Plays

It Takes A Nation Of Norwegians To Hold Us Back!
2006, 2f/1m, 20 min.
An Enemy of the People’s Doctor Stockmann continues his fight—and finds romance.
Members Only
2005, 3m, 15 min.
Two men talk about, and to, their penises.
Jack, Wanda, and Ben
1999, 2005, 1f/3m, 20 min.
Jack returns home following a forty-five minute trip to find his wife has remarried. Wanda’s unique grasp of space-time causes marital problems all around.
Philosopher Kings
2005, 1f/2m, 20 min.
A day on the job in Plato’s Cave.
Zenyatta Piñata
2005, 2f/1m, 10 min.
Is it spousal abuse if she’s filled with candy?
Menage a Sartre
2004, 2f/2m, 40 min.
A neverending orgy of the damned—for existentialists!
Wish Fulfillment
2004, 1f/3m, 25 min.
The story of a boy, his mother, and her magical, racist genie.
Unleash Your Inner Spader
2004, 1f/2m, 15 min.
The films of James Spader inspire Jeff to spice up his love life. But his wife may already be way ahead of him.
Muggled
2004, 2f/4m (or 1f/2m), 10 min.
Parents Chris and Rose protect their daughter from Harry Potter in the new American fashion—by torturing him.
RIP, B.B.
2002, 1m (voice only)/2 Either, 10 min.
Blues legend B.B. King and his guitar Lucille begin an argument that ends in unexpected tragedy.
Urban Myth
2002, 1f/2m, 15 min.
Prometheus, the defiant Greek Titan, becomes an unwilling part of an organ smuggling ring. But is a liver lost worth true love?
Big Game
2001, 1f, 10m
You’d think a plush pink elephant would be an easy conquest in the bar scene, but Jill finds out how tough some men can be.
Couchophilia
2001, 1f/3m, 10 min.
The classic love triangle between man, woman, and couch, explicitly rendered.
Two Men About to be Killed by a Comic Book Supervillain
2001, 2m/1 Either, 10 min.
Hector and Julius, two security guards at a scientific institution, discuss genius, poetry, and men in their underwear. Their conversation is cut short by an unpleasant interruption—their deaths.

Older Work

The Marley Show
2000, 3f/4m, 45 min.
This one-act version of The Marley Show follows Moe through the horrible post-Y2K world of online trading.
Over The Fence
1999, 2f/2m, 35 min.
Better fences make nosy neighbors as Betty spends summer break with her sister Linda. How far will she go in order to understand their neighbor to the rear?
Green Cheese
1998, 2f/5m with extras, 30 min.
The 1960s Space Race, as told by the Marx Brothers